The second sculpture for the Home of the Innocents and the beginning of the ice storm.

We have been without power for 6 days because of an ice storm that hit Kentucky Tuesday January the 27th. However, power has been restored! (at least for us). There are still many thousands more in Kentucky still without electricity and the windchill is below zero.

I have begun work on the second sculpture for the Home of the Innocents. The first sculpture will be located at Sister Emily Coopers' grave. This second sculpture will go to the area where most of the children are buried. The second sculpture shows Sister Emily Cooper shaking out a child's blanket, which has a pattern of butterflies upon it. At the top of the blanket, they are becoming real butterflies and are taking flight. This piece symbolizes the children's spiritual release from this world.
This is a maquette of the sculpture. In order to create the final sculpture, I have to determine where the armature will go. I take measurements from the maquette which will tell me where to place the main pipe. It will go through the center of her body, and determine the position for the armatures that support the arms and blanket. I attach a floor flange to a four foot wide piece of plywood that I have cut into a circle. The plywood circle is placed on a large turntable, so that I can spin the piece easily, to work on different areas.

I use galvanized pipe for the armature.

The body is first shaped with construction foam. I have cut sections of foam with a hole in the middle to fit down over the pipe that serves as an armature for the center of the sculpture. Taking measurements from the maquette, I have cut out the profile of the torso in 4 pieces of foam. I then glued the pieces together with wood glue, so that I will have 2 halves (left and right side of the body). I then slotted out a section of one half so that it will fit over the pipe. I use wood skewers to attach the 2 halves to the pipe.

I cut down the foam to form the torso. I need to make sure I cut off enough as I will be adding clay to flesh out the sculpture.

I use Chavant clay which is an oil based, sulfur free clay. It is fairly hard at room temperature so I need to heat it before I can pack it on to the foam. I cut the clay in slices about 1/4" thick and place them on black plastic - the plastic is large enough to cover the clay slices. Then this plastic is on a towel which is also big enough to cover the clay slices. This is then placed on a water bed heater which gives a gentle even heat.

The warmed clay is applied to the foam.

The arms have been cut from foam and attached with wood skewers.

On Monday we woke to snow and sleet. It was too treacherous to drive back to the studio. I feed the birds every day and felt it was important to make the walk. They especially need to have seed in such inclement weather. The studio is about 1/2 mile from the road. When we were walking back, the freezing rain had begun...

This is the first section of road leading back to the studio.

This is the next section

Don trudges through the rain..... little did we know how much this road would change in the next two days....

A spent flower encased in ice. But there is more ice to come.... much, much more...